Saturday, January 27, 2018

Lady Diana: A Supreme Movie Debut



In November 2017 the American Music Awards bestowed its Lifetime Achievement Award on Miss Diana Ross, and it was a triumphant moment—dazzlingly attired, with a voluminous cape resembling a rare bird’s plumage, Ross commanded the stage for a brief medley of her greatest hits, and it was almost like the old days. We had not seen The Boss sparkle like that for a long time.

Miss Ross has been a star for more than half a century—first as the incandescent apex of an iconic girl group and later as a spectacular solo act and legendary diva. But it was her startling film debut, playing another celebrated singer of yesteryear, that cemented her position as the enduring superstar she remains to this day.


Not all singers are meant to be movie stars, too. (Just ask Madonna and Mariah.) But Diana is, and basically on the strength of just one very successful film performance. In Lady Sings the Blues (1972), Diana Ross proved herself an actress and a force to be reckoned with. It took drive, guts and real talent to portray the troubled jazz singer Billie Holliday, as Ross did to universal acclaim.

It was Motown Records and a singing trio called the Supremes that launched Detroit native Diana Ross on the road to stardom. Before they were Supremes, they had been called the Primettes. As a Primette, young Diana sang backup with her friend Mary Wilson while big boned, trumpet-voiced Florence Ballard dominated as lead singer.

Of course, as soon as they were signed by Motown and Berry Gordy and renamed the Supremes, it was decided that pretty, waiflike Diana was the one whose star power shone brightest, and she was made lead singer and central focus of the group. Florence Ballard never recovered from that demotion; she eventually left the group and was replaced by Cindy Birdsong; Ballard died at age 32 in 1976.

Florence, Mary, Diana

Mary, Diana, Cindy
The story of the fabled 1960s girl group was dramatized in the fictionalized Broadway musical Dreamgirls, made into a 2006 film starring Beyonce, Jennifer Hudson and Jamie Foxx. (Sometimes fiction and myth can tell a story even more effectively than the facts.)

Diana left the Supremes in 1970 (replaced by Jean Terrell and plunging the remaining group members into relative obscurity) and producer Berry Gordy focused all his promotional—and personal—energies on Diana and her career. Though Gordy and Diana did carry carry on an on-again, off-again affair (Gordy is now acknowledged as the father of Diana’s daughter Rhonda, born in 1971), their prime focus was always on the Diana Ross brand—and their collaboration on their dream film project, the Billie Holliday musical biography.

Diana Ross and Berry Gordy

Helmed by director Sidney J. Furie (The Ipcress File) but closely supervised by Gordy, Lady Sings the Blues is a multilayered and satisfying film on so many levels. It is at once a timeless romance, an epic period musical spanning the age of Tin Pan Alley to the Big Band era, a frank exploration of 20th century racism, and a harrowing look at crippling drug addiction.

As the talented and tragic Lady Day, Diana Ross is mesmerizing. Not only does she sing more than a dozen of Holliday’s iconic hits and classic standards, Ross imbues those songs with deeper meaning, relating them to Holliday’s personal troubles and addictions, appearing to perform under the influence of heroin and alcohol, as Holliday too often did—indeed, that may have been a part of her magic. (Interestingly, throughout her career, Billie Holliday had been criticized for her thin, reedy voice; the same charge had often been leveled at Diana Ross herself.)



Diana Ross as Billie Holliday

Obviously a natural Method actor, Ross is equally raw and real in the dramatic scenes, as she believably portrays the performer from her young teenage years to adulthood and struggles with a growing dependence on heroin and the rigors of life on the road.

The film is absorbing and entertaining, with surprisingly poignant moments that use Holliday’s music to illustrate evocative and disturbing scenes (the “Strange Fruit” montage brings to life the horror of the lynchings in the South), yet leavening its sober subject matter with occasional lightness and humor, as in the comedic bordello sequence with veteran character actor Scatman Crothers as Big Ben.

The film also features a memorable supporting turn by Richard Pryor as the kindhearted and humorous Piano Man, who  befriends and helps Billie get her career started but finds himself as hopelessly addicted to the White Lady as Lady Day herself.

Richard Pryor as Piano Man

Billy Dee Williams as Louis Mackay

As a silver screen couple, Diana Ross met her romantic match in suave, dreamy Billy Dee Williams, playing Holliday’s longtime love Louis Mackay, who drifts in and out of the singer’s life, unable to help her kick the drug habit and settle down to a healthier, happier, normal life. (I always thought of Williams as the black Omar Sharif, because his character reminded me of Nicky Arnstein in a musical biopic set in the same era, Funny Girl).

Ross’s bravura performance earned her an Academy Award nomination for Best Actress, putting her in that very small group of African American actors to be so honored. In 1955, Dorothy Dandridge had been the first African American Best Actress Oscar nominee, making Ross and fellow 1972 nominee Cicely Tyson (for Sounder) the second and third, respectively. (Halle Berry would become the first African American Best Actress Oscar winner, three decades later.)

The film’s screenplay was also honored by the Academy. (And Motown’s Suzanne de Passe was the first African American woman to be nominated for a Best Screenplay Oscar for Lady Sings the Blues.)


The night of the Oscars, Liza Minnelli won the gold as the iconic Sally Bowles in the innovative, groundbreaking Bob Fosse musical Cabaret. If Liza had not been nominated, Diana would surely have won that Best Actress Academy Award; polls had the two women neck-in-neck in the Oscar horse race. (Liza has said that she was certain that Diana would win that night.)

Lady Sings the Blues was the peak of the Ross film career, but would an Oscar win have changed its trajectory? Mahogany (costarring Billy Dee again) would prove a critical disaster and The Wiz (with Michael Jackson) a box office bomb. (But then again, Ms. Minnelli endured flop after flop after winning that Oscar as well—A Matter of Time, Lucky Lady and New York, New York were all ignominious failures.)

Over the years, Ross was announced for a number of interesting projects, most notably The Bodyguard opposite Ryan O’Neal (made years later with Whitney Houston and Kevin Costner), but ended up, to date, never making another feature film after The Wiz.

It’s a shame that Miss Ross has appeared in so few films after such an auspicious debut, but the strength of that one performance is undeniable, and the film holds up well more than 45 years later.


8 comments:

William said...

Another great post, Chris. It does seem amazing how often talented actors make a sensational debut -- and Ross was indeed outstanding in the film -- and then for one reason or another are never able to build upon it. Bad choices? More interest in singing than acting? Cher has said that working in films is like "working with small parts" (as in putting together the pieces of, say, a model plane) compared to the instant gratification of being on stage in front of thousands of cheering fans. Ross should have had a stellar film career, but she may have come across the same problem Dandridge did -- not enough great roles for black women.

And you remembered to call her "Miss Ross," LOL!

angelman66 said...

Hi Bill - LOL, yes we do know how The Boss likes to be addressed!
I never heard those comments abotu filmmaking from Cher, but they are very perceptive and may help explain why these big divas don't make more movies.
And of course, the roles for black women were still few and far between up until very very recently, so you are right about that too!
Thanks, as always, Bill, for your support and contributions!
-Chris

Silver Screenings said...

Really enjoyed your thoughtful and enthusiastic review. It's time I saw Miss Ross' remarkable performance.

angelman66 said...

Hi Silver Screenings, thanks so much for coming by! I think you will be as impressed with this fine film as I am, and Diana Ross's impressive performance! Let me know!
-Chris

Quiggy said...

I have missed out on this. Its not one I would buy, but if my library has it I will look to check it out.

Ken Anderson said...

Hi Chris
Your feelings about this film echo my own. I saw it when it came out. At the time (in our household, at least) Diana Ross didn't get much respect as a serious contender to anything. My parents preferred the more soulful sound of Aretha Franklin & Roberta Flack, to them Diana Ross was glamour "bubble gum" pop singer with pretensions. My dad was a jazz fan and loved the music of Billie Holiday. I'm not sure whose idea it was to see the film, but we all were rather blown away by both her performance and her range as a singer.
I saw it so many times I can't count. I was positive Ross was going to have a huge film career. Alas, that petered out rather quickly, but I enjoy revisiting this film every now and then, surprised at how well it holds up (her chemistry with Billy Dee is rivaled by her easy rapport with Richard Pryor). Thanks for writing about this so thoughtfully...makes me want to see it again!

angelman66 said...

Hey Ken - it was actually your recent post about The Poseidon Adventure that led me to write about this one; we were talking about all the great films made in 1972, and this is definitely among them...has always been among my top favorite biopics.

Her range as singer as well as actor is evident here; I often listen to selections on the film soundtrack and enjoy some as much as the versions by Lady Day herself.

Yes, see it again, I think you will love it! Thanks as always for your support, Ken, I am always so delighted when our cinematic tastes converge!
-C

angelman66 said...

Hi Quiggy - I hope you do get a chance to see it. It is a fascinating film and Miss Ross is extraordinary in it.
Thank you, my friend, for stopping by!
- C